The main reason, though, as it was said, as to why Chopin’s works are Realist is her use of human psychology in her writing to connect with her female audience. Take, for example, this excerpt from her novel, The Awakening:
“An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish. It was like a shadow, like a mist passing across her soul’s summer day. It was strange and unfamiliar; it was a mood. She did not sit there inwardly upbraiding her husband, lamenting at Fate, which had directed her footsteps to the path they had taken. She was just having a good cry all to herself” (Chopin “The Awakening” 491).
It is obvious that the woman sitting here crying is feeling indirectly oppressed by the fact that she had to become a wife and mother and that she could not have any other choice besides that. This would strike a chord with many other female readers who were bound to feel the same way, and it would also excite social change since the women’s rights movement had begun to pick up speed and momentum at that point in time. Therefore, not only would Kate Chopin’s novel help those anguished housewives identify their feelings, but it would also bring about change. This is how the novel would become a member of the Realism family because it was so very relevant to its current events.
Another works of Chopin’s, a short story called, “The Story of an Hour,” reflects similar themes. It is about a wife who is told her husband has died in a railroad accident, and her reaction, which is this:
“When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under her breath: ‘free, free, free!’ The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body” (Chopin “The Story” 554).
The woman experiences freedom from the oppression and is overjoyed, but within the hour she comes face to face with her husband, actually alive, and dies from a heart attack at the sudden loss of this freedom (Chopin “The Story“ 554). Again, Chopin reveals the true nature of the anguish found in many housewives and provides a link between the female audience and the protagonist, and it is this link that makes her distinctly Realist.
Works Cited
Chopin, Kate. The Awakening. GlencoeLiterature. Ed. Jeffrey D. Wilhelm. American Literature ed. Columbus: McGraw-Hill, 2009. 491. Print.
Chopin, Kate. "The Story of an Hour." GlencoeLiterature. Ed. Jeffrey D. Wilhelm. American Literature ed. Columbus: McGraw-Hill, 2009. 554-55. Print.
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